6 light green marble chandelier

A chandelier usually asks for attention. 

This one earns it differently: eight slender black arms, each ending in a marble egg and a cone of lit glass, opening out from a single ceiling rose like something drawn in one continuous line.

The STD16123 series is Strong Lighting's answer to a very specific brief — a dining or hospitality fixture that carries the green marble trend of 2026 without turning into a period piece. It comes in two sizes, six and eight lights, both at Ø910 mm, so a project can scale the light output and the visual weight of the fixture without changing its footprint or its language.

A Sculptural Profile That Stays Legible From Below

Most multi-arm fixtures look their best in a rendering and their worst from a dining chair. This green marble chandelier was drawn to survive the seated view: each arm rises slightly before dropping its shade, so the cones sit at different heights across the composition. From below you read six or eight distinct points of light rather than one bright cluster.

The structure is deliberately spare. A central black column, radiating iron arms, a marble sphere at every joint, a conical opal shade at every end. No crystal, no visible cable clutter, no decorative scrollwork. That restraint is what lets the piece sit inside a Japandi dining room, an industrial loft and a contemporary hotel lobby without being restyled for each.

Natural Green Marble, Opal Glass, Matte Black Iron

The stone. Each sphere is cut from natural Indian green marble, hollowed on CNC equipment to control weight, then hand-polished to a soft sheen. The base is deep forest green; the veining runs from chalk white to pale jade. Because the material is natural, every unit differs — a point worth explaining to end clients in advance, and a genuine advantage over printed or cast imitations.

The glass. Shades are hand-blown three-layer opal glass. Lit, they glow evenly from edge to edge with no hot spot and no visible lamp; unlit, they read as a soft off-white ceramic. This is the detail that separates the fixture from the many black-and-glass chandeliers that glare.

The metal. Iron, finished matte black. The finish is applied in a controlled process so that repeat orders match; alternative finishes — satin brass, satin nickel, custom RAL — are available under OEM terms.

Choosing Between 6 and 8 Lights

Both models share the same Ø910 mm diameter and the same 415 mm body height. The difference is light output and density of the composition.

STD16123-6 — six lights, six shades. Best over dining tables of 1.8–2.2 m, in living areas of 20–30 m², and in bedrooms with high ceilings where a single ambient source is enough.

STD16123-8 — eight lights, eight shades, denser radial pattern. Best over tables of 2.2–2.8 m, in open-plan living-dining zones, hotel lobbies, club lounges and anywhere the fixture must read as a centrepiece from 4–5 m away.

As a rule of thumb, allow 600–750 mm of clearance between the lowest shade and the tabletop. In double-height spaces the fixture can be hung on an extended stem; both models accept a longer drop on request.

Variants and Specifications

Model: STD16123-6 | Lights: 6 × G9 | Diameter: Ø910 mm | Height: 415 mm

Model: STD16123-8 | Lights: 8 × G9 | Diameter: Ø910 mm | Height: 415 mm

Frame: Iron, matte black (BK)

Shades: Hand-blown opal glass, conical

Stone: Natural Indian green marble spheres, polished

Lamp holder: G9, max 30 W per lamp (LED compatible)

Voltage: 110–240 V, configured to destination market

Installation: Hardwired, ceiling rose included

Packing: 1 pc per carton — 50 × 43 × 16 cm (6L) / 63 × 43 × 16 cm (8L)

Lead time: About 45 days after deposit

Certification: Electrical components available to CE / RoHS / UL / SAA requirements

Customisation: Arm count, diameter, drop length, metal finish, stone type, glass tone

Where It Belongs

Dining rooms. The 6-light version over a rectangular table, centred, with the shades 700 mm above the surface. Pair with walnut or travertine; keep the rest of the lighting low and warm.

Hotel lobbies and lounges. The 8-light version at reception seating height, or two units mirrored over a long console. The green stone gives a hospitality scheme a material signature that photographs consistently — useful for brand standards.

Open-plan living. One fixture over the dining zone defines the area without walls. The radial form spreads light outward, so the surrounding floor stays usable rather than spotlit.

Restaurants and bars. Repeat the 6-light model along a banquette run, or hang the 8-light over a central service table. G9 sockets let operators specify lamps by CRI and colour temperature per venue.

Retail and showroom. Above a stone or tile display, the fixture continues the material story from floor to ceiling.

Engineered for Container Loads, Not Just Samples

A 910 mm fixture with stone and glass is a logistics problem before it is a design problem. Strong Lighting packs each chandelier one piece per carton with the marble spheres separately cradled and the glass cones sleeved, then drop-tests the carton before a production run is released. Carton volumes are 0.0344 m³ (6-light) and 0.0433 m³ (8-light), which keeps a 40HQ viable for mixed orders.

Founded in 2015 in Guzhen, Zhongshan — the centre of China's decorative lighting industry — Strong Lighting runs two production lines, an 800 m² showroom and a 1,000 m² workshop, with three in-house designers and more than thirty staff. Electrical components are available to CE, VDE, RoHS, UL and SAA requirements depending on the destination market. OEM and ODM programmes cover arm configuration, diameter, finish, stone substitution (travertine, Nero Marquina, Hermes Grey) and private-label packaging.

If you are sourcing a green marble chandelier for a hotel rollout, a retail chain or a distributor catalogue, send us the room plan and target price band — we will come back with the closest standard configuration and the modification cost, rather than a generic quote.

Frequently Asked Questions

Q1: Is the marble real, and will two units match?

Yes, it is natural Indian green marble. Because it is a quarried material, tone and veining vary between spheres and between units. For projects requiring visual consistency, we select from a single block where stock allows — please flag this at quotation stage.

Q2: What is the difference between STD16123-6 and STD16123-8?

Same Ø910 mm diameter and 415 mm height; the 6-light has six arms and shades, the 8-light has eight. The 8-light version is denser and brighter, and suits larger tables, double-height spaces and hospitality lobbies.

Q3: Can the chandelier be made in a different size or with more lights?

Yes. Diameter, arm count and drop length can be modified under OEM terms. Tooling is minimal for this family because the arms are straight tube, so custom diameters are practical rather than theoretical.

Q4: Is it dimmable?

Dimming depends on the G9 lamps and the wall switch specified. With dimmable G9 LEDs and a compatible dimmer, the fixture dims smoothly. We can supply dimmable lamps matched to your market's voltage.

Q5: How much does it weigh, and what ceiling support is needed?

Marble spheres add weight compared with an all-glass chandelier. The ceiling rose must be fixed to a structural surface or a rated anchor; for plasterboard ceilings we recommend a joist-mounted box. Exact unit and carton weights are confirmed on the packing list for each order.

Q6: What is the lead time and minimum order?

Production lead time is about 45 days after deposit. Minimum quantities depend on whether you order standard or customised configurations — standard black finishes ship in smaller runs than custom stone or metal.

Q7: Which lamps should I specify?

G9 LED, maximum 30 W per holder. For hospitality, warm white 2700–3000 K with CRI ≥ 90 flatters both the green stone and the opal glass. Frosted or milky lamps avoid any chance of a visible filament through the cone.